Noh comment

I normally despise English puns on ‘Noh’, usually lame and trite. But after reading the delightful report of a Noh performance I found on a blog by WK Hellestal that I copy below, I couldn’t refrain from doing one myself. I personally sympathise with the spectators who really cannot cope with the Noh dramatic devices,…

Is this the future of Noh Theatre?

It will take me a few days to digest what I saw yesterday night at Purcell Room, Southbank Centre, London. Theatre Nohkagu’s double bill of Kiyotsune and ‘shinsaku eigo noh’ Pagoda, written by British playwright Jannette Cheong and Richard Emmert has been a rich experience, and I already know I will want to come back…