Why Kyoto is now the centre of Japanese contemporary theatre

A bit off topic for my blog, but a good, positive way to start the year with some good news.

Tokyo Stages

No one likes sweeping statements and generalisations, and I’m not about to fall into that trap. Nonetheless there is a real case to be made that the most exciting centre for contemporary theatre and the performing arts in Japan today is not what was once called the “east capital”, Tokyo, but that older capital lying to the west, Kyoto.

This is not just about how many artists and directors are based in Kyoto, though it is certainly home to a significant number of solo artists and companies, including contemporary Kabuki troupe Kinoshita-Kabuki, Takuya Murakawa, and Kunio Sugihara.

No, Kyoto’s claim to be the new hub for Japanese contemporary performing arts is threefold.

Firstly, we now have ROHM Theatre Kyoto. Opening January 10th as part of a major renovation and redevelopment of the 50-year-old Kyoto Kaikan, ROHM Theatre Kyoto will be a major cultural hall and hub for a range…

View original post 735 more words

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s